There are a couple of albums expected to be released this year (2015) I am anxious to listen to. One of them it’s the upcoming Agnostic Front album, the upcoming Limp Bizkit album, the debut album of Black Futures (ex-Subsource) and not at least the 6th The Prodigy album.
The Prodigy promised “violent sound” and a brand new level of sonic aggression. And well, have listen the whole album now for a couple of days and the sound it’s definitively there.
I’m still not sure if there are real songs under the massive sound and if The Prodigy have added anything new to their already fat repertoire.
“The Day Is My Enemy” sound almost exactly as “Invaders Must Die” back in 2009, the structure of the album and the structure of the songs it’s quite similar, but the songs are not that good and memorable. While I still can sing almost each song from the previous album purely from memory, after a couple of days of listening to “The Day Is My Enemy” the only thing which still ringing in my ears it’s “Nasty, nasty!” and that’s not really that good, but it’s more something quite compulsive. Only “Invisible Sun” it’s more stickier, but less radio friendly. Read more The Prodigy – The Day Is My Enemy (2015)
Some stories are too good to be true. Imagine a hobo, a man with no past, future, nor present who eventually end up making a blues album and bringing in John Paul Jones of Led Zeppelin to play the bass only because he do not knew anybody else playing that instrument. So, yes, I mean no, this could not happen.
For a tasty beef steak there two important “ingredients” are the must: proper preparation and patience.
If you’re nostalgic for the 1989–1991 type of, “The Real Thing” era Faith No More, Waltari definitively it’s your type of band and you will devour their 14th studio album released on February 27, 2015.
Venom is definitively one of the most influential metal bands of all times and they were genre founders with their first two albums, “Welcome to Hell” (1981) and “Black Metal” (1982). Their third album, “At War with Satan” (1984) left some serious marks on me too with it’s 20 minutes long title track. it was a semi-concept album that tells the story of a war between Heaven and Hell where the latter side wins. Cronos – bass guitar, vocals; Mantas – guitar and Abaddon – drums had major influence on the development of heavy metal and contributed to the creation of other sub-genres such as thrash, speed, death and power metal.
When everything it’s obsessively boring and irreversible predictable, Ghospoet find his way and manage to deliver – once again – something fresh and genuinely enjoyable. Where conformity ends there Ghospoet kicks in!
