Formed in Melbourne, Australia, in August 1981, relocated to London in May 1982, reached No. 1 on the Billboard Top World Music Albums Chart with their seventh, 1996 album “Spiritchaser” which also charted on Billboard 200, disbanded in 1998, reunited 7 years later in 2005, Lisa Gerrard and Brendan Perry are path openers with their unique mixture of genres and styles, merging African polyrhythms with Gothic Rock, Gaelic folk with Post-Punk, Gregorian chants with New Age and Dark Wave, or Middle Eastern mantras with ethereal and Dream Pop.
“Anastasis”, the long awaited, upcoming eight studio album by the band is not different then the previous ones. It’s an exciting and colorful mixture of dark and Oriental vibes, minimalism and subtle, polyphonic build-ups, hypnotic mantras and addictive rhythms, Dead can Dance are once again a secret doorway to a lost and find universe of subconscious and superconscious. It’s a journey and an intimate, unique, mystical experience for each and every listener. Read more Dead Can Dance – Anastasis (2012)
Monthly Archives: July 2012
The Elijah – I Loved I Hated I Destroyed I Created (2012)
When the market is full-filed with millions of same look-like, sound-like, taste-like products – not quite artists I’m afraid – sometimes (pre) judging a CD by its cover, might be a pretty strong argument. First the cover, then the title – “I Loved I Hated I Destroyed I Created” – grabbed my attention.
Dan – Vocals, Michael – Vocals, Guitar, Sean – Guitar, Orchestration, Sam – Bass, and Jakub – Drums managed to explore a quite unique path somewhere between Sigur Rós and At the Drive-In, a disturbing place where ambiental, cinematic soundscapes and turbulent, furious (Post) Hardcore collide and make an actually nice pair as only opposites are capable of. Read more The Elijah – I Loved I Hated I Destroyed I Created (2012)
Marcus Miller – Renaissance (2012)
After last years fabulous “Tutu Revisited”, the bass-killer Marcus Miller (age 53) are back with “Renaissance”, 13 tracks of groovy Jazz and bass slappin’ where hard and smooth parts are merged into one as not too many musicians are capable to do. The shade of Miles Davis are constant and discretely present all over, but this is definitively and unmistakably Marcus Miller. Although “Renaissance” is – surprisingly – only his eighth studio project since his 1983 debut, “Suddenly”, Miller spent approximately 15 years performing as a sideman or session musician and he has played bass on over 500 recording on albums across different musical styles from Rock (Donald Fagen and Eric Clapton), to Jazz (George Benson, Dizzy Gillespie, Joe Sample, Wayne Shorter and Grover Washington, Jr.), Pop (Roberta Flack, Paul Simon and Mariah Carey), R&B (Aretha Franklin and Chaka Khan), Hip Hop (Jay-Z and Snoop Dogg), blues (Z.Z. Hill), New Wave (Billy Idol), Smooth Jazz (Al Jarreau and Dave Koz) and opera (collaborations with tenor Kenn Hicks and soprano Kathleen Battle). Also, as a film music pro, Miller rose from writing the go-go party classic ‘Da Butt’ for Spike Lee’s ‘School Daze’ to becoming the go-to composer for 20+ films (from the documentary 1 Love to the animated children’s fable The Trumpet and The Swan to the Eddie Murphy/Halle Berry classic Boomerang. In the 80’s he had collaborate with Miles Davis on 6 consecutive albums, he produced and wrote wrote “Tutu” for Miles Davis. Read more Marcus Miller – Renaissance (2012)
Christian Fischer – Tactical Protection, EP (2012)
Techno. Hard-hitting, still flexible and glitchy, oscillating between anthemic house and seminal electro, Leipzig original Christian Fischer, DJ and producer for over ten years knows exactly what set the dance floor on fire.
Running the successful imprint Definition Records, which has become an integral part of the international techno scene over the years while growing into a varied outlet that has helped to shape the movement, Christian is not one to shy away from stylistic advancement and technical innovation. Being one of the first who embraced new DJing technologies such as Final Scratch, Christian’s melody-driven, uplifting and progressive sets are legendary. Fischer, who jump-started his career on the befriended Statik Entertainment label and has since released celebrated EP on imprints as varied as Craft Music, Patterns, Abyss and Whirlpool Sex, teamed up with colleague DJ Murphy, the sensational turntable talent Fischer unearthed on one of his countless Brazil tours and signed for his label straight away, to produce and play under the moniker Deckmonsters. With their crazy turntable tricks, they are breaking every preconception what a DJ set could be like. They released their first longplayer in 2008, which is now followed by Christian Fischer’s solo debut album “Bryzant Games” out now on Bryzant. In 2009 Christian just started Bryzant Radio – a bi weekly radio show. With the best Tunes from the Clubs around the World and featuring Guest-DJ-Mixes Christian invites DJs like Renato Cohen, Spektre, Perc, Bruno Morphet just to name a few. The Show is broadcast thru the best Radio Stations worldwide from Ibiza to Canada or from Philippines to Hungary. In 2010 it was released the album “Change Disko” which reflects his experience as a DJ for more than ten years in his music. Read more Christian Fischer – Tactical Protection, EP (2012)
