Post-rock it’s a vast and vague space and definition, fancy sometimes, abstract and elitist/exclusivist, but unfortunately mostly shallow, quite selfish and meaningless. Instrumental bands and albums scar me as David Bowie is afraid of Americans.
L’Effondras – actually ☉ – it’s a French instrumental trio and when I first watch a recording of one of their live performances posted on YouTube my first thought was early (Barrett era) Pink Floyd. So, it’s not really that “thing” called “djent” – or whatever – and – fortunately – it’s not that bored to death thing called quite elegantly shoegaze (or shoegazing). Although, there’s a little bit of both worlds in their music, but they manage to combine all those elements smartly and efficiently. (more…)
Scheduled to be released on January 20, 2015 in the US, but already leaked out to the internet, the much anticipated, ninth in line, studio album by one of the most feared, targeted and blamed artists, Marilyn Manson it’s here. Are you ready to meet your maker?
Age 45, born Brian Hugh Warner, but better known as Marilyn Manson are manage to reinvent himself and his music each and every time. “The Pale Emperor” pick up where “Born Villain” left off in 2012, and The Pale Emperor is a much calmer, grown up and cynical character then the outrageous and furious Anti-Christ Superstar was back in 1996. Probably some of you guys will miss those massive, bone-cutting riffs and unstoppable industrial metal hurricanes like “The Beautiful People” or “Irresponsible Hate Anthem”, but this post-rock/post-metal melange of bitterness and muted revolt reflects who is Marilyn Manson now. Looking back won’t bring back that energy and feeling or his former band mates.
The current line up it’s made of old and constant brother in arms bassist Twiggy Ramirez, music producer, film music composer and guitarist Tyler Bates and drummer Gil Sharone of Stolen Babies.
And “The Pale Emperor” it’s quite film-like, don’t judge the (ob)scenes – tracks – separately, but think about the bigger picture, the whole album instead. (more…)
A little bit of this, a little bit of that. Music with roots back to the 70′s and 80′s, a wide and vivid space where disco meet psychedelic flavours and funk collide violently into acid pop. Grooves and feelings are drifting into the unknown in a quite disturbing after-hour trip. You take off on the wings of the sound, but you don’t know where you will landing. If you close your eyes and turn up the volume, you can fly. Or just simply you will falling up.
My personal favorites are the Bowie-feels-like “Chinoise” and the hypnotic title track, but there is a piece of cake for everybody who’s willing to listen!
Buy and support independent artists!! (more…)
This is a quite ambitious and interesting project I had stumbled into a few years back and yes, I saw the opportunity in it and gave the link to my American guitarist friend Rich Prewett. If I recall it correctly, the first song he made was “Egoista”, then he did “Sonhar” and it was followed soon by another one. Rich did an awesome job mixing those African vocals with good old tasty blues flavors. I told him that it would be great if he put together a whole album out of it and that’s what he did!
And this is really good. Feel good, sound good. Rich Prewett is a quite experience and versatile musician and producer, he made miracles with those vocal stems. The music he created and performed around those vocal tracks it’s a vivid mixture of blues, rock, reggae and Latin vibes and sounds, but maintaining throughout a “world”, an universal flavor of it. This is extremely universal, but still, very particularly Rich.
I love it throughout!! (more…)
This seems to be the last piece of the mystical-musical puzzle started by Zorn. I’m still in love with the insanely brilliant “Ipsissimus” released in 2010, followed by “Templars-In Sacred Blood” in 2012.
Zorn formed in 2006 the hardcore voice/bass/drums trio of Mike Patton, Trevor Dunn, and Joey Baron which became known as the Moonchild Trio.
Moonchild is the title of a novel written by Aleister Crowley in 1917. Its plot involves a magical war between a group of white magicians, led by Simon Iff, and a group of black magicians over an unborn child. In the novel, numerous acquaintances of Crowley appear as thinly disguised fictional characters. Crowley portrays MacGregor Mathers as the primary villain, including him as a character named SRMD, using the abbreviation of Mathers’ magical name. Arthur Edward Waite appears as a villain named Arthwaite, and the unseen head of the Inner Circle of which SRMD was a member, “A.B.” is theosophist Annie Besant.
Same year two albums of Zorn’s compositions performed by the trio were released: “Moonchild: Songs Without Words” and “Astronome”. (more…)
Klaus Iohannis s-a întâlnit cu Dean Thompson. Oficial Thompson este Însărcinatul cu Afaceri al Ambasadei SUA la București, pe înțelesul tuturor, este un fel de văr de-al treilea al șoferului fostului Ambasador al SUA la București. Fiindcă Americanii de ceva ani nu mai au Ambasadori nici la București, nici la Budapesta – fapt care spune mult despre cum tratează problema Ucrainei și al zonei per ansamblu. Se pare că de această dată s-a discutat despre cine vor fi persoanele numite în fruntea SRI și SIE. În ce țară normală la cap, președintele ales al unei țări presupus libere și independente hotărăște cu un hopa mitică de la ambasade unei țări prietene, dar străine șefii serviciilor secrete? Exact! Într-o colonie. Colonie de mâna a treia. Pentru SRI unul din numele vehiculate este Vasile Blaga. Dacă n-ar fi de plâns, ar fi de râs! (more…)
Who would believed that there will be a fifteenth AC/DC album in 2014 on 19 February 1980? With a serious six year gap since the release of their previous album, “Black Ice”, and repeated rumors regarding their eminent retirement, nobody really expected one more AC/DC album. But damn, if Rolling Stones managed to celebrated their 50th anniversary in the summer of 2012, it would be a serious treason if the Australian rockers would not have their 40th anniversary with a world tour in 2015! Still in school-uniform outfit, Angus is 59 years old!!
At under 35 minutes, it is the shortest studio album ever released by the band, two minutes shorter than their previous shortest album, “Flick of the Switch”, which was released back in 1983. Looking at the song titles – Rock the Blues Away, Got Some Rock & Roll Thunder, Rock or Bust, Rock the House, Play Ball, Baptism by Fire – it is definitively a genuine AC/DC album: everything just stay the same as it ever was. And – obviously – that’s what most of their fans expect from them. I think bringing in someone like DJ Lethal – for instance – or any other creative fresh mind and not some fancy assh*le like Sonny John Moore (aka. Skrillex), would be a nice touch, but then again, experiments are always involve high level of risk and these guys and their hardcore audience are extremely conservative. Don’t worry guys, the album consist of only good-old Rock’N'Roll!!
The only change is Malcolm and Angus’ nephew Stevie Young replacing Malcolm Young who seems to be seriously ill and unable to perform. (more…)
Keyboardist Roddy Bottum says in a statement: “It feels apt that the first track we’re releasing is ‘Motherfucker,’ a song about accountability. Basically we’ve created, recorded and mixed a new body of work by ourselves and we’re releasing it on our own label. It’s a huge deal for us to only have ourselves to answer to at this point in our career and the song is about that, where the buck stops via the basic imagery of foie gras production, bondage. . .y’know, stuff like that.”
And here we go, we have the very first brand new Faith No More recording since…. Since 1997? Holly cow! And this is so not Faith No More like that it is exactly Faith No More! (more…)
How old you are? “I See You” will be probably the swan song of this legendary band which spinning around for the last 47 years. Brain-child of Daevid Allen, other notable band members include Tim Blake, Didier Malherbe, Pip Pyle, Gilli Smyth, Steve Hillage, Francis Moze, Mike Howlett and Pierre Moerlen. Others who have briefly played in Gong include Bill Bruford, Brian Davison, Don Cherry and Chris Cutler.
This is an effervescent mixture of progressive, psychedelic and space rock reaching out the border of jazz fusion and other vivid experiments. With a tasteful addition of mythology.
Gong was formed in 1967, after Daevid Allen — at that time a member of Soft Machine — was denied re-entry to the United Kingdom because of a visa complication. Allen remained in France where he and a London-born Sorbonne professor, Gilli Smyth, established the first incarnation of the band. (more…)