Merging the sound and approach of bands such as Guano Apes and Skunk Anansie, Exilia incorporated more Industrial elements and Nu Metal grooves and delivered a strong fifth full-length album.
Formed in 1993 in the classic city of fashion, Milan, (Italy) when singer Masha met guitarist Elio Alien, Exilia debuted with the album “Rightside Up” in 2000 and their following “Unleashed” which much heavier and more aggressive sound, released in May 2004, made to the Top 40 in the German charts.
The band’s biggest hit so far has been “Can’t Break me Down” released as CD single in 2005. They have played gigs with Oomph!, Guano Apes, H-Blockx, Clawfinger, HIM, Therapy?, In Extremo, Rammstein, God Forbid, Sanctorum and Ill Niño and singed to GUN Records, division of Sony BMG. Read more Exilia – Decode (2012)
Twin Atlantic formed in February 2007, in Glasgow, Scotland, by Sam McTrusty (lead vocals, rhythm guitar), Barry McKenna (lead guitar, cello, backing vocals), Ross McNae (bass guitar, piano, backing vocals) and Craig Kneale (drums, percussion, backing vocals). After recording their debut EP A Guidance From Colour at Long Wave Studio in Cardiff with producer Romesh Dodangoda (Funeral For A Friend, Kids In Glass Houses, The Blackout), and building upon the support from Kerrang!, the band’s profile was boosted enough for them to land support slots with Biffy Clyro and Smashing Pumpkins. They also supported American acts The Matches, Blink-182, Finch and Say Anything on their respective UK tours.
The ovation (Latin: ovatio) was a lower form of the Roman triumph. Ovations were granted, when war was not declared between enemies on the level of states, when an enemy was considered basely inferior – slaves for instannce – or when the general conflict was resolved with little to no bloodshed or danger to the army itself.
Formed in 2004, in Paris (France), Devianz, this five piece band, now delivering their long awaited second full-length album, “A Corps Interrompus” (With Interrupted Bodies). 13 tracks, one bonus and one top collaboration with Vincent Cavanagh of Anathema on the song called “Ton corps n’est qu’atome” (You’re Body is Nothing But Atoms), revels a wild, willing and extremely capable band which managed to blending sensitive, acoustic rooted European Rock with the energy, explosion and rawness of the American Indie and Post-Hardcore. But more further than another perfect sonic experiment, Guyom Pavesi, Benoît Blin, Pierre Labarbe, Vincent Rémon, and Charles-Vincent Lefèvre write and recorded 14 songs. 
Federico Augusto Ágreda Álvarez, best known as Zardonic, is a Venezuelan DJ, producer, remixer, composer and keyboardist, known for his drum and bass act as well as his dark ambient, Black Metal and minimal techno side-projects as Blackholepit. His remix work include tracks for Nine Inch Nails, The Berzerker and Gorgoroth, as well as original releases on Dieselboy’s Human Imprint label and on Skrillex’s OWSLA label.
Back at the beginning of the 90s with all that Alternative/Indie/Grunge wave, I discovered several huge bands among all the trash praised by the media and pushed by the record labels and agencies. One of them was the obscure H.P. Zinker from New York founded by Hans Platzgumer. Their last album, “Mountains of Madness” released in 1995 and its cover design by Stefan Sagmeister won several design awards and it was also nominated for Grammy. “Black Mouths” strangely, but unrelated, reminds me of that record. This Parisian quartet featuring Alex – vocals & guitars, Raphael – guitars, Thibaut – drums, and Julien – bass, delivering a same kind of colorful post-punk/hardcore, adrenaline fueled music merged with lots of colorful, experimental moments and deviations.
If Ian Curtis wouldn’t committed suicide on 18 May 1980 and Joy Division would be still around and playing, “In Cythera”, the leading single of the fifteenth studio album by Killing Joke uploaded to the YouTube on 6 March it’s exactly the kind of music we are probably expected of Curtis. Although, this is a classic Killing Joke album with classic sound, and with the classic line-up: Jaz Coleman on vocals, Kevin “Geordie” Walker on guitar, Martin “Youth” Glover on bass, and Paul Ferguson on drums.
Merging Scandinavian Pop and Glam Metal (H.I.M.) with the Rammstein trademarked Neue Deutsche Härte, using both cutting guitar riffs and trance-like synth layers, the Finish Black Light Discipline are back with 10 brand new songs on their second album.





