In nautical terminology, the waterline refers to the line separating the submerged section of the hull of a ship – the quickworks – from the section above water – the topsides (literally the “live” works and “dead” works in French). The works which Bertrand Flachot is presenting this autumn at the Felli Gallery are very much alive; they immerse us in the soft formal ambiguity which is the hallmark of his aesthetic world. Lines and strokes trace and highlight the meanders of the memory of areas which have been crossed in Paris, in a manner reminiscent of Giacometti’s Paris sans fin (Paris without end) to which he pays a passing tribute. Read more Bertrand Flachot – Just above the waterline
Gallows it’s the perfect mixture of the Aleister Crowley originated mysticism and healthy, punk rooted hardcore. Definitively one of the most interesting and solid Brit acts of the last decade and a band with the power and talent to deliver further exciting releases.
Klayton is back again and we’ve got the third installment of his quite ambitious project, “End of an Empire”.
The album begins quoting George Carlin: “The reason they call it the American Dream is because you have to be asleep to believe it” which synthesize perfectly the state of facts and the perception of America today. We might consider it a joke, but it’s a deadly serious issue.
There are a couple of albums expected to be released this year (2015) I am anxious to listen to. One of them it’s the upcoming Agnostic Front album, the upcoming Limp Bizkit album, the debut album of Black Futures (ex-Subsource) and not at least the 6th The Prodigy album.
Some stories are too good to be true. Imagine a hobo, a man with no past, future, nor present who eventually end up making a blues album and bringing in John Paul Jones of Led Zeppelin to play the bass only because he do not knew anybody else playing that instrument. So, yes, I mean no, this could not happen.
For a tasty beef steak there two important “ingredients” are the must: proper preparation and patience.
