While Brits have Massive Attack, Americans have Thievery Corporation. In 1996 Thievery Corporation released “Sounds from the Thievery Hi-Fi”, their debut album, and with it they defined an entire genre of music and crystallized their distinct “outernational sound” aesthetic. Thievery Corporation was formed in the summer of 1995 at Washington D.C.’s Eighteenth Street Lounge by Rob Garza and Eric Hilton. Over the next 14 years the duo would write and record four more critically acclaimed studio albums (“The Mirror Conspiracy” – 2000, “The Richest Man in Babylon” – 2002, “The Cosmic Game” – 2005, and “Radio Retaliation” – 2008), three remix albums (“Abductions and Reconstructions” – 1999, “Babylon Rewound” – 2004, and “Versions” – 2006), and various DJ mixes and film soundtracks (“The Outernational Sound” – 2004, and the recent Babylon Central Film Soundtrack). On the album “The Cosmic Game” featured high-profile guest singers including Perry Farrell of Jane’s Addiction, David Byrne, and Wayne Coyne of The Flaming Lips.
In 2006, the band also recorded “Sol Tapado” for the AIDS benefit album Silencio=Muerte: Red Hot + Latin Redux produced by the Red Hot Organization. In 2006 they toured around the United States, playing at Lollapalooza and they were the opening act on August 1, 2009 for Sir Paul McCartney at FedEx Field in Landover, Maryland. Read more Thievery Corporation – Culture of Fear (2011)





“Kinetik” is the second full length album by this four piece Croatian band and they melt down dark, epic metal into the Rammstain masterd, so-called Neue Deutsche Härte industrial metal while the band is fronted by female singer Mya Mortensen. Her band-mates are Malice Rime – Guitars and Synthesizers, Zoltan Harpax – Bass and Torsten Nihill – Drums, Percussion. The band was formed in 2007 in Umag, and is signed to Drakkar Entertainment, a part of Sony BMG.
Being quite skeptical ’bout everything labeled lately “metalcore”, songs such as “Internal Cannon”, “Cutting the Ties”, “Carpe Diem” and “Salt & Light” from the fourth studio album by American band August Burns Red, convinced me to give them another chance. State that they have been inspired and influenced by bands such as Between the Buried and Me, Misery Signals and Hopesfall, their powerful, technical, filled with heavy breakdowns and groovy riffs and not at least some nice, acoustic or slow passages which offering release and an exotic flavor, is quite the essence of what actually metalcore means now days. Merging some almost traditional heavy metal riffings with intense modern metal with roots back to death metal and adding raw, extreme vocals, August Burns Red comes crushing and this combination of melodious themes with blowing brutality, I had to admit, it’s quite efficient and have some charm. Still, when a million plus one bands are begun doing the same kind of thing, using the same schemes and cliches, don’t really matter how intense they doing it, all the excitement is gone and the thing becomes pretty boring. Some Pantera lyrics came back haunting: “be yourself, by yourself…”
This is an ambitious project gathering together 





