X-Wife – Infectious Affectional (2011)

Juggling between new wave minimalism and retro tastes of the 80’s and post-punk and rock sounds and structures, X-Wife, from Porto, Portugal, since 2002 delivered constantly quality electro music. “Infectious Affectional” is their fourth full-length album.
João Vieira – vocals and guitar, Fernando Sousa – bass and Rui Maia – synth and keyboards bring to the surface the same pulsing and pounding, minimalist and grungy post-punk/dark electro themes, it’s quite retro, but still not dusty, dark and electrifying music.
Read more X-Wife – Infectious Affectional (2011)

Psychobuildings – Self-titled EP (2011)

From Brooklyn, New York, Psychobuildings brings alive some twisted, but danceable beats to build up some psychedelic construction with roots back to the 80’s new wave experiments, but stepping right into the sound of the future.
After releasing two killer singles last year NYC’s Psychobuildings unveil their first 12″ record in EP format, the band is currently in the studio working on their first full length with producer Peter Wade (MNDR, Jennifer Lopez).
This 20 minutes (6 tracks) of Psychobuildings are the best opportunity to discover what they are up to. Read more Psychobuildings – Self-titled EP (2011)

Daniel Levin – Inner Landscape (2011)

“Inner Landscape” is a solo work by cellist Daniel Levin, released on Clean Feed Records and consist in 6 recordings – landscapes/soundscapes. Tracks 1 and 2 were recorded May 24th, 2009 at Brecht Forum, New York, NY by Robert O’Haire, while tracks 3 to 6 on July 14th, 2009 at The Chateau, Chicago, IL by Brian J. Sulpizio.
Ed Hazell in his liner notes for “Inner Landscape” wrote: Daniel Levin is “a samurai with a calligrapher’s brush in his hand instead of a sword.” And well, Daniel Levin brings six improvising pieces, lead us through moments made of light touch to brutal noise, from abstract fantasies and introspective searches to contorted and abrasive explorations.
It’s definitively not an easy-listening, but Levin delivered a sparkling and glowing experiment. Read more Daniel Levin – Inner Landscape (2011)

DJ Mitsu the Beats – Midnight Roses (2011)

Sleazy, easy and smooth, this might be the perfect background music / soundtrack for some nighttime action, or as the Juno Records PRs put it in different words “the best pulling pants and head off” (music).
DJ Mitsu The Beats is widely regarded as one of Japan’s finest mixing wizards, he’s still largely unheralded in Europe outside the nu-jazz and downtempo hip-hop scenes. Mainly instrumental, but also incorporated pieces cuts from Ceefax, Tony Hart’s Gallery and Barry White, this is a nice, soft and quite refreshing melt-down into the smooth universe of slow-dance, soft-focus jazz-funk, nu-jazz and downtempo, still very classy and subtle, “Midnight Roses” is a joyful trip – preferable for two. 😀 Read more DJ Mitsu the Beats – Midnight Roses (2011)

Juno Reactor – Inside The Reactor (2011)

“Imagination. Use it as a weapon.” Or… “No fixtures, all you need is a good vibe, oh and a passport from another planet.” Simple like that.
Formed as an art project in 1990 by Ben Watkins to collaborate with other artists and to create experimental music and non-musical soundtracks that would work with installations, art pieces, and film projects, Juno Reactor becomes a constantly changing ensemble of musicians from across the world delivering a large variety of music genres and styles from trance to industrial and from trip hop to goa and world music. Read more Juno Reactor – Inside The Reactor (2011)

311 – Universal Pulse (2011)

Being around for 23 years; released ten studio albums, one live album, four compilation albums, four EPs and four DVDs; achieved triple platinum with their 1995 self-titled album, which reached #12 on the Billboard 200 and achieved platinum with one more album and gold with other two; and finally, but not at least, selling over 8 million records worldwide, 311 seems to be a quite successful recipe. Generally labeled as an alternative rock band, they are also classified as rap rock, rap metal, funk rock, funk metal, ska punk, pop punk, reggae and even jazz fusion. Their ten, and up to date shortest album – only 8 tracks -, “Universal Pulse”, will not clarify further their style and genre, it’s another colourful album, while some might even say, this is the same 311 album they’ve already heard it nine times before.
This is a summer album. Read more 311 – Universal Pulse (2011)