Mehliana (Mark Guiliana and Brad Mehldau) – Taming the Dragon (2014)

Mark Guiliana & Brad Mehldau – Mehliana – Taming the Dragon (2014) Social Buttons by Linksku

Mark Guiliana & Brad Mehldau – Mehliana – Taming the Dragon (2014) “Taming the Dragon” it’s the debut album from the electric duo Mehliana made of Brad Mehldau (synthesizers, Fender Rhodes and piano) and Mark Guiliana (drums and electronics). Because the dense electronics this have a powerful jazz-rock sound, but it’s a vividly groovy, experimental and breath taking experience throughout with space-rock inspired soundscapes and exciting jazz improvisations. There is an extremely refreshing balance between all the flavors, sounds, elements and moods of the album. Mark Guiliana delivered some extremely tasty drums while Brad Mehldau added dimensions and colors. A perfect mixture of passion, energy and experimentation with tasty melodies, meditative searching and emotions.
Mark Guiliana (born 1980, Florham Park, New Jersey, United States) is an American drummer, composer, and leader of the band Beat Music. He is known for his playing with Brad Mehldau, Meshell Ndegeocello, Gretchen Parlato, Jason Lindner, Lionel Loueke, Avishai Cohen (bassist), Avishai Cohen (trumpeter), Dhafer Youssef, Tigran Hamasyan, Matisyahu, European Read more Mehliana (Mark Guiliana and Brad Mehldau) – Taming the Dragon (2014)

Avishai Cohen – Triveni II (2012)

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Avishai Cohen – Triveni II (2012) Born and raised in Tel Aviv, Israel, Avishai Cohen began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Avishai arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston.
In 1997, the young musician established an international reputation by placing third in the Thelonious Monk Jazz Trumpet Competition. Avishai came of age as a jazz player as part of the fertile scene at Smalls, the storied club in New York’s West Village, where he developed his artistic vision alongside such friends and colleagues as pianist Jason Lindner and bassist Omer Avital. The trumpeter’s artistic stance was informed by the fresh, broad-minded legacy of this vital 21st-century scene. Avishai also toured and recorded with the avant-punk Lemon Juice Quartet, experimenting with effects and collaborating with friends, a common thread throughout his career; the band’s 2002 release Peasant Songs earned praise from the likes of DownBeat, which applauded the album’s “rollicking joi d’vivre.”
“Triveni II” it’s his 6th solo album, follow up of the 2010’s “Introducing Triveni”. This is definitively a delicatessen for any Miles Davis fan! Read more Avishai Cohen – Triveni II (2012)

Acid Mothers Temple and The Melting Paraiso UFO – Son Of A Bitches Brew (2012)

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Acid Mothers Temple and The Melting Paraiso U.F.O. – Son Of A Bitches Brew (2012) Heavy Psychedelia this time merged with Electric Jazz with consistent Miles Davis aroma. References to key recordings or artists/bands of Rock/Metal/Psychedelic or Jazz were always incorporated in their works, but never so directly referential as this time. You need balls, or talent, or both to enter the musical world previously build by Davis, John McLaughlin, Joe Zawinul, Chick Corea, Dave Holland, Jack DeJohnette, Wayne Shorter, Bennie Maupin, and the list is extremely long and filled only with valuable artist. But these Japanese sonic samurais, got balls, got talent, but also the healthy craziness necessary for genuine creation.
“Son Of Bitches A Brew” – with it’s a clear reference to Frank Zappa as well – will not be an easy walk through some sunny sound fields, AMT are delivering extremely dense and vivid incursions into the outer limits of the known musical universe, they not only merging genres, but radically different layers and sounds mostly in the same song their building.
With Kawabata Makoto raging on his guitar, Shimura Koki smashing to pieces his drum kit, Tsuyama Atsushi grinding the bass, Higashi Hiroshi turning his synthesizers inside-out, while Tsuyama Atsushi replacing Wayne Shorter on saxophone, this trip can’t be nothing but dangerously wonderful. Read more Acid Mothers Temple and The Melting Paraiso UFO – Son Of A Bitches Brew (2012)

Atomik Clocks – Magdan in Charleroi (2011)

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Literally mind-blowing Funk, some pumping Punk energy and pounding Rock attitude, Atomik Clocks delivering a quite refreshing mixture of Jazz, Funk and Rock, merging the spirit of free, improvised music with the power and weight of experimental spiced, Progressive Rock, eventually reminds me of Morphine.
“Magdan in Charleroi”, their first full-length release is available as digital download for only €3 on their official Bandcamp page, and definitively it worth every single penny of it!!
We’ve got 10 groovy, sometimes pretty Psychedelic taste-like, experimental, but not pointlessly abstract songs, an exciting mixture of styles and approaches, the saxophone playing the main role, but the killer funky bass is equally present while the drums offers the solid bases for these sonic jams. Read more Atomik Clocks – Magdan in Charleroi (2011)

Ballister – Mechanisms (2012)

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Ballister is a hard hitting trio having one foot at Chicago and the other one at Oslo and it’s comprised of Dave Rempis (Saxophones) Fred Lonberg-Holm (Cello & Electronics) and Paal Nilssen-Love (Percussion). Dave Rempis was a member of The Vandermark Five, and has developed many Chicago-based groups for which he is currently known. These include The Rempis Percussion Quartet, The Engines, The Rempis/Rosaly Duo, The Outskirts,The Rempis/Daisy Duo, Bishop/Rempis/Kessler/Zerang, and Wheelhouse. Past working groups include Triage, and the Dave Rempis Quartet. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Solitaire, and Utech record labels. Rempis also performs and tours with Ken Vandermark’s Territory Band and Resonance.
Chicago based cellist Fred Lonberg-Holm has played and studied music in a variety of situations from the Juilliard School to the gutter. A former student of Anthony Braxton, Morton Feldman, Bunita Marcus and Pauline Oliveros, his primary projects are his Valentine Trio and The Lightbox Orchestra. He is also a member of a number of ongoing collective projects (The Boxhead Ensemble, The Friction Brothers with Michaels Zerang and Colligan, The Flatlands Collective, Keefe Jackson’s Fast Citizens) He also currently plays in groups led by Joe McPhee Peter Brotzmann, and Ken Vandermark. He has contributed cello sounds to numerous recording projects by rock groups including Califone, Freakwater, God-is-my-co-pilot, L’altra, Smog, Super Chunk, US Maple, Wilco and many others.
Paal Nilssen-Love has stated his position as one of the most profiled drummers in Europe today, he has made numberless performances at festivals and clubs in Europe and USA and participated on more than 50 recordings. He plays in several bands and project such as Atomic, Element, The Thing, Scorch Trio, School Days, Territory Band and collaborate with artists such as Pat Metheny, Peter Brötzmann, Ken Vandermark, Joe McPhee, Ingebrigt Håker Flaten, Terrie Ex (The Ex), John Butcher, Lasse Marhaug – along many others. He runs his own annual festival – All Ears – for improvised music in Oslo. Read more Ballister – Mechanisms (2012)

Paal Nilssen-Love, Mesele Asmamaw and Mats Gustafsson – Baro 101 (2012)

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Mats Gustafsson, Paal Nilssen-Love & Mesele Asmamaw – Baro 101 (2012) What’s the connection between two members of the avant-garde group The Thing (Paal Nilssen-Love – drums and Mats Gustafsson – saxophone), Ethiopian musician Mesele Asmamaw and the legendary Dutch post rock/avant-garde outfit The Ex? Room 101 of the Baro Hotel, Addis Abeba, Ethiopia on February 27th 2010.
The Ex has been going to Ethiopia for quite a while. The first tour, with Han Bennink, in the north, was in 2002. The next one, in the south, during 2004. Through all the new and improvised music festivals they play, The Ex has connection with many adventurous musicians. So they started a series of projects in Ethiopia. With breakcore pop duo Zea in May 2008, followed by Silent Block from France (tables full of self-made instruments, experimental electronica and much more), in May 2009. And then two projects with “Saxophone”. Not only they bring Friso Heidinga from the saxophone repair-shop Amsterdam Winds, who fixed dozens of instruments, but also great players like Ken Vandermark, Ab Baars, Mats Gustafsson, who performed in combination with The Ex members and Norwegian free jazz drummer Paal Nilssen-Love. And all cooperated with many amazing Ethiopian musicians and dancers. Like Getatchew Mekuria, Melaku Belay, Indriss Hassen, Misale Legesse and krar-player Mesele Asmamaw (who we knew before from the Mohammed Jimmy Mohammed Trio). Read more Paal Nilssen-Love, Mesele Asmamaw and Mats Gustafsson – Baro 101 (2012)