This is just great, feels so good to listen it. I won’t sell you lollipops, I actually don’t have a clue what “nu jazz” means, generally speaking, I don’t know what’s modern and what not in jazz, and digging further, in music. Sometimes – nowadays – modern becomes synonym of stupid, or at least trendy and patterned, and I really don’t wanna swallow it. This is different. “Smells Like Tape Spirit” have some gentle, warm, retro and kind of classy perfume, but on the other hand it’s extremely fresh, sparkling and breathing alive, it’s – God, I hate this world! – modern, a blending of standards and improvisations, structures and free licks, a rebellion build upon the solid ground of tradition.
Read more Wojtek Mazolewski Quintet – Smells Like Tape Spirit (2011)
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The Dead Kenny G’s – Operation Long Leash (2011)
If this isn’t a great band name – obviously quoting Biafra’s band name, I don’t know what it is! Eventually The Dead Kenny G Spots… 😆 😆 😆 Songs such as “Melvin Jones” merged explosive Noise-Metal with exotic aromas and Ethno-Jazz blowing, but one thing is absolutely sure: they are loud. Imagine a Rock-like noisy and loud Jazz band with suspicious taste for Klezmer and Metal and Hardcore, eventually like Primus. Not accidentally I mentioned Les Claypool’s “insane brigade”, they toured together last year.
Eric Walton aka Skerik (saxophones, keyboards, loops, samples, effects and guitar), Brad Houser (bass, baritone saxophone, bass clarinet and electronics) and Mike Dillon (vibraphone and percussion) – aka Critters Buggin -, are The Dead Kenny G’s! This is the highest level of musical subversion, stay tune or stay away, injuries are unavoidable! Read more The Dead Kenny G’s – Operation Long Leash (2011)
Aram Bajakian’s Kef – Aram Bajakian’s Kef (2011)
Listening to the almost raging, furious and noisy guitar hurricanes of “Sepastia” it’s obvious why Lou Reed ask guitarist Aram Bajakian to perform guitar on his summer tour. And Aram Bajakian’s Kef is electrifying. “Sumlinian” is blowing like a chainsaw from one ear to the other and will leave you breathless. Aram Bajakian – Electric And Acoustic Guitars, Shanir Ezra Blumenkranz – Acoustic Bass and Tom Swafford – Violin delivered an unique and extremely groovy mixture of traditional Klezmer music with Garage Rock resonances, merged electric explosions with sensitive acoustic braiding, combined the energy of the free Jazz improvisation with the clearness and smoothness of classic and traditional music, Aram Bajakian’s Kef puts on the same level the bursting electric guitar shredding and the joyful violin plays.
I was at the middle of the 5th track, “Wroclaw”, when I noticed there’s no drums or percussion in this… Holy Moses! Read more Aram Bajakian’s Kef – Aram Bajakian’s Kef (2011)
Mr. Bungle – Mr. Bungle (1991)
As one of the (never resting and) “brilliant” journalist stated: they were the “most ridiculously terrible piece of festering offal ever scraped off the floor of a slaughterhouse”. 😀
1991 was a very good year, quoting a famous song title. Yesterday I mentioned Metallica’s “black album”, today’s Mr. Bungle’s turn and their self-titled debut album for Warner Bros after previously they released four cult demos.
In 1989 Mike Patton became the lead vocalist for San Francisco’s Faith No More replacing Chuck Mosley, getting the job after guitarist Jim Martin heard him on a Mr. Bungle demo. Patton in only two weeks, had written all the lyrics for the songs that would make up the Grammy award-nominated “The Real Thing” released in 1989. Mr. Bungle was formed in 1985 and Patton continued to be a member of both bands simultaneously and the band established a following in Northern California, but mainly the success of Faith No More secured them a record deal with Warner Bros. And between “The Real Thing” and “Angel Dust” it was “Mr. Bungle” – released 20 years ago, on 13 August. Read more Mr. Bungle – Mr. Bungle (1991)
GWEX – Debaucherous Adventure (2011)
Reminds me of Frank Zappa and Mr. Bungle, but also of Green Jelly and eatmewhileimhot!, The Global Warming Extravaganza comes between parody and insanity, chaos and music, and as always, it’s quite impossible to draw the line between genius and madness. Mark A. Shredmurder and Christopher T. (“The T is for Teriffic”) Bottomsworth supposed to form a band back in 2007, but the other guys didn’t showed up, so… they had to struggle through all the Budweiser and Jack Daniels bought for the party and the result is this monster-brain-child abbreviated GWEX.
And as any good thing in life, “Debaucherous Adventure” can be downloaded for free (“name your price” = donate much as you want/can) from their Bandcamp page.
Be prepared for anything – good and bad – you can think on/of because there will be more. Welcome to the “mEatrix”. This is fuckin’ unbelievable. But brilliant. 😀 Read more GWEX – Debaucherous Adventure (2011)
Combat Astronomy – Flak Planet (2011)
I stumbled into Combat Astronomy last year on their Bandcam page. It worth to check out their page, there you can get all their previous releases, some of them are still for free (and donation based) as their latest EP “Barricades” released in July 2011.
Mastermind, composer – and project manager 😀 – James Huggett explore the interference area of post-rock, doom and industrial with the outbursts of free jazz and avant-garde music. Space rock elements and dirty stoner rock riffs are melting down in the contorted noises and explosive outbreaks of horns. Freaky and heavy, cutting and exciting, in a fair world Combat Astronomy should be far better known as they are. But this isn’t a fair world, Britney Spears and Take That are famous and popular and I can’t blame them, not even the industry, the subordinated media, but I blame ourselves, the undefined, comfortable, predictable, lazy, fat and careless consumer. Nobody would be able to sell us shit if we wouldn’t bought it. Read more Combat Astronomy – Flak Planet (2011)
Daniel Levin – Inner Landscape (2011)
“Inner Landscape” is a solo work by cellist Daniel Levin, released on Clean Feed Records and consist in 6 recordings – landscapes/soundscapes. Tracks 1 and 2 were recorded May 24th, 2009 at Brecht Forum, New York, NY by Robert O’Haire, while tracks 3 to 6 on July 14th, 2009 at The Chateau, Chicago, IL by Brian J. Sulpizio.
Ed Hazell in his liner notes for “Inner Landscape” wrote: Daniel Levin is “a samurai with a calligrapher’s brush in his hand instead of a sword.†And well, Daniel Levin brings six improvising pieces, lead us through moments made of light touch to brutal noise, from abstract fantasies and introspective searches to contorted and abrasive explorations.
It’s definitively not an easy-listening, but Levin delivered a sparkling and glowing experiment. Read more Daniel Levin – Inner Landscape (2011)
DJ Mitsu the Beats – Midnight Roses (2011)
Sleazy, easy and smooth, this might be the perfect background music / soundtrack for some nighttime action, or as the Juno Records PRs put it in different words “the best pulling pants and head off” (music).
DJ Mitsu The Beats is widely regarded as one of Japan’s finest mixing wizards, he’s still largely unheralded in Europe outside the nu-jazz and downtempo hip-hop scenes. Mainly instrumental, but also incorporated pieces cuts from Ceefax, Tony Hart’s Gallery and Barry White, this is a nice, soft and quite refreshing melt-down into the smooth universe of slow-dance, soft-focus jazz-funk, nu-jazz and downtempo, still very classy and subtle, “Midnight Roses” is a joyful trip – preferable for two. 😀 Read more DJ Mitsu the Beats – Midnight Roses (2011)
Le Swing Du Lundi – Swing a nouvelle-ville (2011)
Morwenna Le Normand Рvocals, Fred Miossec Рclarinet, Christian H̩l̩ard Рguitar, Erwan Raoul Рguitar and Fran̤ois Chapron Рbass share a common passion: the swing. In their opinion, swing is the cure against monotony, against the cloudy sky and the gray Mondays, swing is the cure for everything.
Chicago, Blue Moon, It don’t Mean a Thing, Honey Suckle Rose are some of their re-swing titles, the French band delivered a nice collection of unforgettable tunes served with style and charm, classy, acoustic, but with fire in it and groovy, still soulful.
Read more Le Swing Du Lundi – Swing a nouvelle-ville (2011)
Archie Shepp and Joachim Kuhn – Wo!Man (2011)
Shepp was born in 1937, in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone, but occasionally plays also soprano saxophone. He studied drama at Goddard College from 1955 to 1959, but choose the music career.
He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp’s first recording under his own name, Archie Shepp – Bill Dixon Quartet, was released on Savoy Records in 1962.
Joachim Kühn, born in 1944 is a German jazz pianist. Kühn studied classical piano and composition with Arthur Schmidt-Elsey, but influenced by his elder brother, clarinetist Rolf Kühn, he simultaneously got interested in jazz. With a trio of his own, founded in 1964,he presented the first free jazz in the GDR (German Democratic Republic, East Germany). In 1966 he left the country and settled in Hamburg and since 1968 he living in Paris. Kühn worked with Don Cherry, Karl Berger, Slide Hampton, Phil Woods, Michel Portal, Barre Phillips, Eje Thelin, Ray Lema and Jean-Luc Ponty. During the second half of the 70’s he lived in California and joined the West Coast fusion scene and recorded with Alphonse Mouzon, Billy Cobham, Michael Brecker, and Eddie Gomez. Read more Archie Shepp and Joachim Kuhn – Wo!Man (2011)
