Stumbled into at Absetzer by mistake or luck, “Suburban Industrial Landscape” is a quite contorted release balancing between powernoise grindings and trance themes, rhythm noise and industrial butcheries.
Eight tracks of intense aggression, no mercy. Interesting, good mixture of noisy elements and the more musical textures. In a club this rip off your head and still, it’s quite danceable.
This seems to be the third album from Russian one man band NaRick – Nariman Kagermanov -, including tracks written between 2009 and 2010.
Read more NaRick – Suburban Industrial Landscape (2011)
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Nitin Sawhney – Last Days Of Meaning (2011)
Nitin Sawhney made 9 studio albums, for which he has been nominated for a Mercury Music prize, won a MOBO, 2 BBC Radio 3 awards and a Southbank show award, amongst 15 others. He has scored over 40 films for cinema and television, with an Ivor Novello nomination for best score leading to his recent much acclaimed Orchestral music to the BAFTA nominated BBC series “The Human Planetâ€, Mira Nair’s recent film “The Namesakeâ€, two film scores for live performance by the London Symphony Orchestra and a biopic about Jean Charles De Menezes. He worked with Sting, Cirque Du Soleil, Shakira, Paul McCartney, Jeff Beck, Taio Cruz, Imogen Heap, Anoushka Shankar and many others and he also has been a regular Dj with London club “Fabricâ€. He’s quite a busy guy. Read more Nitin Sawhney – Last Days Of Meaning (2011)
Bury Your Dead – Mosh N Roll (2011)
Stripped to the core, this is hardfuckingcore with heavy riffs, high-level fury and explosive, unleashed energy. Pantera/Machine Head like groove metal collide with Biohazard/Sick Of It All hardcore and the result is quite convincing. This is nothing, but “mosh’n’roll”, pure, pumping metalcore without any useless ornament, senseless sophism, just kick ass themes, cutting riffs and raw vocals.
Formed in Worcester, Massachusetts, USA, in 2001, as a side project of the band Hamartia featuring Brendan “Slim†MacDonald – guitar and Mark Castillo – drums and recorded and released their debut album titled “You Had Me At Hello” in March 2002. After several tours, the band break up for a few month, but bass player Rich Casey re-unite Slim, Mark and they bring to the microphone Mat Bruso.
Since, the band been through several line-up changes, Bruso left the band in 2007, he was replaced by Michael Crafter for a short period, then by Myke Terry till January 2011 when Bruso came back and Terry was fired. Read more Bury Your Dead – Mosh N Roll (2011)
By My Hands – Growing Older Getting Colder (2011)
They said “Too Hardcore for the Metal kids .. and Too Metal for the Hardcore Kids” and this band from Glasgow, Scotland, UK sounds just like – in the most positive sense – any other furious gang from Brooklyn, especially they reminds me of Biohazard. Actually I was afraid of some cheap Metallica copy, you know – “Die by my hand, I creep across the land, Killing first-born man”, but it’s not the case, their 90’s crossover it’s just fucking great, they have groovy riffs, deep growling basses, pounding drums and raw vocals, it’s just bloody nice that they don’t have clean – pussy – vocals and don’t shoot the same boring screamo/metalcore cliches, By My Hands it’s nothing about, but rage and pure unleashed energy. Read more By My Hands – Growing Older Getting Colder (2011)
X-Wife – Infectious Affectional (2011)
Juggling between new wave minimalism and retro tastes of the 80’s and post-punk and rock sounds and structures, X-Wife, from Porto, Portugal, since 2002 delivered constantly quality electro music. “Infectious Affectional” is their fourth full-length album.
João Vieira – vocals and guitar, Fernando Sousa – bass and Rui Maia – synth and keyboards bring to the surface the same pulsing and pounding, minimalist and grungy post-punk/dark electro themes, it’s quite retro, but still not dusty, dark and electrifying music.
Read more X-Wife – Infectious Affectional (2011)
Dead To A Dying World – Self Titled (2011)
Mike Yeager – vocals, Leigh Ann Jensen – upright bass, Sam Pruitt – cello and vocals, Sean Mehl – guitar, James Magruder – bass guitar and Stefan Gonzalez – drums, from Dallas, Texas, open the gates of (inner) Hell. Sit back and die – slowly. DTADY will takes you down into a gloomy world build upon black metal foundation and colored with post-rock and neo-classic/experimental elements. Doom and crust metal grindings, dark-depressive themes, abstract and contorted moments, scattered cellos and cutting guitars are merged into one dark, but breathing new universe.
This self-titled, debut double-LP from Dead To A Dying World is for those who truly appreciate the aesthetic value of deluxe packaging and heavyweight color vinyl. The album is pressed on 200-gram, translucent green wax and features heavyweight jackets, metallic-silver printed innersleeves and gatefold graphic, and is neatly enclosed in a heavy-duty slipcase. Mastered at 45rpm for superior sound quality, this is an album that was truly meant for vinyl. Read more Dead To A Dying World – Self Titled (2011)
Daniel Levin – Inner Landscape (2011)
“Inner Landscape” is a solo work by cellist Daniel Levin, released on Clean Feed Records and consist in 6 recordings – landscapes/soundscapes. Tracks 1 and 2 were recorded May 24th, 2009 at Brecht Forum, New York, NY by Robert O’Haire, while tracks 3 to 6 on July 14th, 2009 at The Chateau, Chicago, IL by Brian J. Sulpizio.
Ed Hazell in his liner notes for “Inner Landscape” wrote: Daniel Levin is “a samurai with a calligrapher’s brush in his hand instead of a sword.†And well, Daniel Levin brings six improvising pieces, lead us through moments made of light touch to brutal noise, from abstract fantasies and introspective searches to contorted and abrasive explorations.
It’s definitively not an easy-listening, but Levin delivered a sparkling and glowing experiment. Read more Daniel Levin – Inner Landscape (2011)
DJ Mitsu the Beats – Midnight Roses (2011)
Sleazy, easy and smooth, this might be the perfect background music / soundtrack for some nighttime action, or as the Juno Records PRs put it in different words “the best pulling pants and head off” (music).
DJ Mitsu The Beats is widely regarded as one of Japan’s finest mixing wizards, he’s still largely unheralded in Europe outside the nu-jazz and downtempo hip-hop scenes. Mainly instrumental, but also incorporated pieces cuts from Ceefax, Tony Hart’s Gallery and Barry White, this is a nice, soft and quite refreshing melt-down into the smooth universe of slow-dance, soft-focus jazz-funk, nu-jazz and downtempo, still very classy and subtle, “Midnight Roses” is a joyful trip – preferable for two. 😀 Read more DJ Mitsu the Beats – Midnight Roses (2011)
Juno Reactor – Inside The Reactor (2011)
“Imagination. Use it as a weapon.” Or… “No fixtures, all you need is a good vibe, oh and a passport from another planet.” Simple like that.
Formed as an art project in 1990 by Ben Watkins to collaborate with other artists and to create experimental music and non-musical soundtracks that would work with installations, art pieces, and film projects, Juno Reactor becomes a constantly changing ensemble of musicians from across the world delivering a large variety of music genres and styles from trance to industrial and from trip hop to goa and world music. Read more Juno Reactor – Inside The Reactor (2011)
Jumping Jack – Cow & whisky, EP (2009, re-issued)
Jack… Jack… Jack. 😀 AC/DC anybody? Who’s got the jack? 😀
Well, written by Mick Jagger and Keith Richards, recording on “Jumpin’ Jack Flash” began during the “Beggars Banquet” sessions of 1968, but it was not released on that album, although it was released as a single same year. “Jumpin’ Jack Flash” has been featured in many films, including Martin Scorsese’s “Mean Streets” (1973), in Ron Howard’s “Night Shift” and at the end of Terry Gilliam’s “Fear and Loathing in Las Vegas”, and on several Rolling Stones compilation albums.
On the other hand, looking at the CD cover it’s no way not to think of “Old No.7” – sure you know what I’m talking about…
These guys are not from Tennessee, but from Nantes, France. Read more Jumping Jack – Cow & whisky, EP (2009, re-issued)
