Introducing the Unified Esoteric Tarot deck

Introducing the Unified Esoteric Tarot deck

Introducing the Unified Esoteric Tarot deck

The Unified Esoteric Tarot deck is a standard 78 cards Tarot deck, resulted from 25 years of research, study and practical experience of card reading.
The main idea at the foundation of this deck was to reveal the hidden connection between all the branches of the esoteric sciences and provide a very intuitive instrument both for beginner and advanced Tarot practitioners. Read more Introducing the Unified Esoteric Tarot deck

The four Aces (Tarot deck project)

UET-Attila-Blaga

UET-Attila-Blaga

For 25 years I am working on a book about the Tarot. Finally I’m very close to finish the project. Meanwhile I started working also on a board game based on the Tarot deck.
Originally I planned to use the traditional Reader-Waite-Smith deck, but ultimately I changed my mind and I decide it to create my own deck.
For several years I was trying to convince artists to create together a new tarot deck, but eventually I had to do it on my own. These are the four Aces. Read more The four Aces (Tarot deck project)

The Golden Tarot of Klimt by Atanas Alexander Atanssov

tarotator.com

35 King of Wands The Golden Tarot of Klimt by Atanas Alexander AtanssovGustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d’art. Klimt’s primary subject was the female body; his works are marked by a frank eroticism.
Klimt’s ‘Golden Phase’ was marked by positive critical reaction and financial success. Many of his paintings from this period include gold leaf. Klimt had previously used gold in his Pallas Athene (1898) and Judith I (1901), although the works most popularly associated with this period are the Portrait of Adele Bloch-Bauer I (1907) and The Kiss (1907–08).
Klimt travelled little, but trips to Venice and Ravenna, both famous for their beautiful mosaics, most likely inspired his gold technique and his Byzantine imagery. In 1904, he collaborated with other artists on the lavish Palais Stoclet, the home of a wealthy Belgian industrialist that was one of the grandest monuments of the Art Nouveau age. Klimt’s contributions to the dining room, including both Fulfillment and Expectation, were some of his finest decorative works, and as he publicly stated, “probably the ultimate stage of my development of ornament.”
In 1905, Klimt created Read more The Golden Tarot of Klimt by Atanas Alexander Atanssov