“From Beer to Eternity” is announced as the band’s second final album in the last six years. “The Last Sucker” back in 2007 was a fabulous album, if not the best, one of the very best Ministry albums, anyway, probably my favorite one beating some legendary albums like “The Land of Rape and Honey” (1988), “The Mind Is a Terrible Thing to Taste” (1989), “Psalm 69: The Way to Succeed and the Way to Suck Eggs” (1992) or “Filth Pig” (1996), not quite accidentally, half of the albums featuring the recently deceased guitarist Mike Scaccia, his death being the reason why Jourgensen announced that Ministry would break up again. He said: “Mikey was my best friend in the world and there’s no Ministry without him”. Mike Scaccia was an important contributor not only to Ministry, but also to Lard, Revolting Cocks and Buck Satan and the 666 Shooters. Scaccia died onstage playing with his band Rigor Mortis, due to a sudden heart attack at age 47. R.I.P. Mike, you will be always missed!
While “The Last Sucker” was the 3rd and final part of the band’s anti-George W. Bush trilogy, preceded by 2004’s “Houses of the Molé” and 2006’s “Rio Grande Blood”, “From Beer to Eternity” seems to be a furious rage against media and especially against Fox News, defending president Barack Hussein Obama. Media is bad and bought-up, got it! If back then we all were on the same page, now I’m still not sure who is worst: George W. Bush or Barack Hussein Obama? There is no honest politician, there is no such thing as “politically correct”, no such thing as political righteousness. But enough with politics!!
Now about the music. “From Beer to Eternity” contains dark and very heavy music. We’ve got some extremely powerful and memorable riffs, but also some contorted, twisted off trips into the experimental noise (and breakcore) area. Read more Ministry – From Beer to Eternity (2013) ›

I grew up listening my mom’s vinyl records. She had a serious, few thousand pieces collection, including classic symphonic music, jazz, pop, rock and punk records. I loved simultaneously Bach and The Beatles, Grieg and The Clash, Chopin and Deep Purple, Tchaikovsky and Kraftwerk – and so on. As many times I said, there is no good and bad music, but music which touch you and music which don’t. True, lately too many prefabricated, predictable, tasteless, “fake and plastic to the bone” type of music poisoned the stage and the market.
I write music reviews for more then 20 years now. I ended up at the microphone of a garage band at 16, 17 – a lifetime ago – and for good and bad, I’m “doing” music ever since. Still, I don’t consider myself a journalist or a musician. My uncle is a trained, professional cello player and back in the days when I spent my summer vacations in his hometown, instead kicking the ball with the other kids in the backyard, I was put to play the piano. His wife was a cello player too, sometimes they played together back home, rehearsed, exercised a lot, and I get use to and liked the aggressive sound of that instrument.
So, I’m not a stranger to classic music, to the cello, and receiving David Downing’s “Cosmic Conspiracy” album was actually a nice surprise in a world lately dominated by midi based and exclusively mainstream oriented music. Actually I almost gave up this site, I deleted all the post and I was sick and tired of the music I receive. David Downing’s new album is a challenging journey to the experimental fields of classic flavored music mixed up with cinematic soundscapes, noise and rock elements. Get an exclusive, free promotional track from David Downing album now and then buy the album! Read more David Downing – Cosmic Conspiracy (2013) ›

Between “Hey You” (Pink Floyd) and “Irresistible Force” (Jane’s Addiction), between digital contortions and analog warmness, keeping original moments and building new monsters, but focusing on the message, this is one of the best mixes I did. This is an uncommon way of saying “Hey, you..!” A warning or a wake-up call. Technology seems to taking over while the man lost his soul. But when the power is out you will have to face yourself and your emptiness…
Featuring Rich and Soundy Audio – special thanks for editing, engineering, mixing and mastering this!

 

Reznor came back haunting. Honestly, it was just a matter of time to see Reznor resurrecting the good old Nine Inch Nails trademark and starting all over. Although I was cool with How to Destroy Angels, it was predictable that his fresh start had not the same impact and resonance as the Nine Inch Nails name had, have and will have. Although, “Welcome Oblivion” was a fair, exciting, mature Reznor album and “Hesitation Marks” are picking up from where both Nine Inch Nails with “The Slip” (2008) and How to Destroy Angels left off. Some people need to hang on to labels, to stick to established trademarks, so be it! Nine Inch Nails are back, long live How to Destroy Angels! Or any other way around! 😆
Anyway, if Reznor switched back to NIN only because this trademark assure a bigger commercial success then the use of the less known How to Destroy Angels, that says a lot about us, the audience, consumers, whatever, and not at least the media and the industry, rather then anything about Reznor and the music itself.
Still, there are lot of arguing and debating about Reznor’s contribution, his legacy and how relevant it is what he’s doing lately. Well, no offense, but Skrillex and all the alikes will parish in a few months/years (fortunately, some already did!), while Reznor definitively have something to leave behind, at least a couple of fabulous albums and several unforgettable songs. Industrial or not, it’s another issue, I think it’s totally pointless. This is simply contemporary music. Period. And there was always a sensitive difference between the Nine Inch Nails studio albums and the Nine Inch Nails live performances, I always loved both, but the live performances always were murderous. And it’s not different this time around, check out 2013-07-26 Niigata, Japan, Fuji Rocks Festival performance and you will be nailed. Literally. Read more Nine Inch Nails – Hesitation Marks (2013) ›