Tag Archives: post rock
In store on July 19, the fifth studio album by 3 Doors Down, reserves no surprises. Designed for the Billboard, it probably will reach the Top Ten as all their four previous albums did. Up to date the band sold over 16 million albums worldwide.
Their debut album, “The Better Life”, in 2000 was the 11th-best-selling album of the year and was certified 6x platinum in the United States. Their second album, “Away from the Sun”, in 2002 continued the band’s success; it debuted at #8 on the Billboard 200 chart and went multi-platinum in the United States like its predecessor. The band followed it up by extensive touring for two years before releasing their third album, “Seventeen Days”, in 2005. The album debuted at #1 on the Billboard 200 chart and was certified platinum within its first month of release. Their fourth, self-titled album, “3 Doors Down”, also debuted at #1 on the Billboard 200 chart. Some may say their selling is in decline lately, but we have to consider that the whole world economy is in a huge recessions.
On the other hand, all this so called post-grunge generation delivering mainly the same kind of cliches and pretty boring music record after record, but still they sell enough to staying on the top, so, I really don’t get it: what is wrong with this picture? (more…)
I’ve got to admit it, globalization in some particular cases has its indisputable charm. You can’t take a piss at Melbourne without somebody notice it at Juneau and with a proper Facebook/Buttbook profile you might have you’re mandatory “fifteen seconds of shame”…
The Amsterdams are not some Dutch guys as you might believe, they are from Bucharest, Romania and playing a sort of very Brit indie pop/rock. Back in 2005 when the band was founded they sounds more like Kaiser Chiefs, meanwhile they lost along the way their punk after-taste rawness and scratchiness, their sound becomes more smoother, radio and consumer friendly. “Electromagnetica” is the band’s second album, released on 31 March 2011 and since 1st April is available also as free digital download at the band’s official web site. (more…)
In 1966, Neumann GmbH of Berlin, Germany, presented a new type of transistorized microphone to the Norwegian Broadcasting Corporation, NRK. Norwegian Radio had requested phantom-powered operation. Since NRK already had 48 volt available in their studios for their emergency lighting systems, this voltage was therefore used for powering the new microphones, KM 84 model, and is the origin of 48-V phantom power.
“South II” is the second full-length album by 48V from Hunan, Chengdu, China and it’s instrumental. A quite interesting blending of post-rock and electronic elements into a flowing, growing, sparkling music with a nice, electric groove and some catchy themes.
And considering they name, I might be wrong thinking of 48 volt while their MySpace URL is 48… vodka. (more…)
Basement. Don’t matter what others may say, I really don’t give a shit about, believe me, I think it’s pretty dumb to name your band with a one – common – word. The world really gonna mad, every fucking single day independently or through one of the few trillion labels, a few trillion albums are released. I quite believe: everybody’s singing, nobody’s listening (and care). And very few are actually interested in buying something. So, if you name your band as probably at least a few others already did and some few will name their own a few minutes later, you’re just increasing your chances to stay unnoticed. Not to say that if somebody will try to “googling” you, there’s absolutely no way to find you. “Cloudy Basement”, “Burning Basement”, “Bass-ment”, fuck knows, but try to figure out something.
The very next issue is: “Basement? Oh, that guys sound just like Title Fight…” (more…)
Belgium gave to the world a few quite exciting artists. Well, my first “acquaintance” at age of 6 was RenÃ© Magritte. Few years later I was crushed by Front 242, after a while, a Dutch friend of mine introduced me TC Matic (the former band of Arno Hintjens), dEUS are still on the top of my favorites list, and there are a few others as well. Kingdom of Belgium might be a small country – 11,787 square miles (30,528 km2) – , but it’s only prove that “size don’t matter” in some particular cases. Still, Belgium is a founding member of the European Union and hosts the EU’s headquarters, as well as those of several other major international organisations such as NATO.
In addition, I had in my mind “In Bruges”, the black comedy directed by Martin McDonagh in 2008. And somehow, in my subjective perception, the Belgian art scene delivering mainly pretty gloomy stuffs. Some like it hot, while others chosen the darker path. ITP makes no exception.
I, The Pheonix is a project born in Brussels, the brainchild of Jean-Paul Frenay and Vincent De Puydt, as they call it: “an organic platform”. ITP – far as I heard – is quite an unique something. Label it industrial seems unfair. Rather is a disturbing mixture of dark-wave, garage and gothic rock, a twist of psychedelic and progressive rock, some tasty spices of noise and industrial and lot of creativity. (more…)
Aureien Dubois-Pham from the Domino Media Agency bring them to my attention and well, it was a quite nice surprise.
How many times in the last few decades it was declared: “rock is dead!” and get buried? I think indie is dead. Or at least I thought so. Then out of blue appeared Jack and Meg White and at the break of the century they had their own little revolution and gave new sense for something which faded out of sense. Since, we’ve got The White Stripes, The Dead Weather, The Raconteurs, The Black Keys and a few other exciting acts. Now we’ve got to add another name to this list: The Locomotive Sound Corporation.
Instead Alison Mosshart we’ve got more like a raging PJ Harvey from ’93 (“Rid of Me”) and raw, garage rock with roots back to Sonic Youth. And the Parisian band got a fan-friendly attitude: this self titled, five track debut EP scheduled to be released on July 11, 2011 can be listen and downloaded from their Bandcamp page for $1 (“or more”). (more…)
Promised to be the new grunge revelation, Allcoy have delayed only one decade and so.You can get a taste of what they call “Allcore” at theirÂ Bandcamp page and buy their debut album if you like it. And these four guys from Detroit, Josh Augustine, Bryan Aldrich, Anthony Palsgrove and Drew Easton, delivering a pretty tasty alternative rock material with catchy grunge after-taste. It might be kind of out-dated and retro, but still, they write some good riffs, catchy themes and put together a couple of groovy rock songs. When most of the trendy bands are completely predictable, something “out of the beat”, even if it’s quite familiar, are sometimes a bless. And Allcoy brings back something from the rawness of the early Nirvana, the heaviness of Godsmack and the attitude of Stone Temple Pilots and blended all of this elements in their own high-energy rock.Â (more…)
“Last Man Standing”, the leading single of the second full-length album by Pop Evil was released last fall and it’s a strong, powerful, 101 % American rock/metal song with all its best characteristics. “Monster You Made”, the second single from the album, was released on June 7, 2011 and it’s a power-ballad, maybe we chances on the charts, but actually quite pale and pointless. The album it’s right between great rock songs and themes and pale, faceless, plastic and second-hand taste like indie/post grunge whatevers. Good to hear catchy, beefy riffs like “Last Man Standing”, “Boss’s Daughter”, “Epitaph” or “Black & Blue” have, I see (hear) no sense in the Pearl Jam meats Bon Jovi copying “Let It Go”, “Next Life”, “Purple” and the mentioned “Monster You Made” ballads and cliches. (more…)
Far off from the Brit scene and tends, Naisian from Sheffield, brings to the surface a tumultuous, contorted metal with roots back both to the classic Black Sabbath sound and the mixture of sludge and post-hardcore riffs, in their music is a perfect balance between dark and noisy elements and sometimes psychedelic, other time warm and calm, spacy moments. James Borrowdale – guitar and vocals, Adam Zejma – guitar and vocals, Micheal Aitken – bass and vocals and Jordan Garlick – (only ) drums, create a quite exciting and unique blending of intense metal and avantgardist surfing. “Mammalian” can be listen and downloaded (“name your price”) from the band’s Bandcamp page. It worth every minute and every penny. (more…)
“Kuu” is the Finish word for “moon” while “Kauna” means “long”. Kauan started by Anton Belov in February 2005 at Chelyabinsk, Russia. Belov also play under the moniker Helengard with Alina â€œWitch_A.â€ Roberts (Inferno, ex-Semargl) and in the project called inea with Ilya Rikhter (from K Seven and R Is For Rockets). Kauna started as a folk black band and in 2006 Lubov Mushnikova joined the band as a violin player. The duo moved in the direction of folk doom and grown into folk rock/post rock maintaining their gloomy, epic sound. Even though the band is from Russia, they writes lyrics both in Russian and Finnish language. “Kuu…” is their forth full-length album and it’s probably their most sophomore, experimental and colorful release up to date. (more…)