Tosin Abasi’s Animals As Leaders are back. Scheduled to be released on November 8, the 12 new tracks of “Weightless” picking up where they left off with their 2009 self-titled debut album.
Cutting edge riffs and fleet-fingered solos, the energy full explosion of metalcore and matchcore with the spacy pulse and smoothness of classic progressive rock and metal acts merging different approaches and sounds from Rush to Dream Theater, but adding to it a fresh and powerful breath, Animals As Leaders became soon one of the most critically acclaimed metal act.
I’m still not an unconditional supporter of instrumental rock/metal albums (and bands), but I have to admit, Animals As Leaders have some interesting moments, managed to avoid cliches and patterns, delivering good songs and not exclusively technically brilliant self-exposures. Scaling form metalcore to jazz, “Weightless” is a power and colorful release. Read more Animals As Leaders – Weightless (2011)
Life and Living
instrumental
Matt Stevens – Relic (2011)
I admit, I didn’t listen to Matt Stevens previous works and quite honestly, I’m kind of “scared” of instrumental rock music because generally speaking it’s quite predictable and boring. Obviously this is not a “politically (or ethically) correct” supposition, but still, don’t matter how sad it is, it’s still true. Well, Matt seems to be very determined to prove me otherwise and listen to “Relic”, his third and latest solo release, I had the surprise to discover that we think and feel in very similar ways about music even if we came from and we’re chosen to go down on different paths. And there’s another fact too: I hate guitar solos as well, because – again, generally speaking – they are nothing, but tasteless fill-ups and egocentric showing-ups. Last, but not at least, I defies genres. There’s nothing stupider than imprisoning yourself in some particular box. And Matt Stevens defies genres as well, his music is colorful, borderless and ageless, breathing and very alive, spacy and intense, subtle and powerful. The bottom line is that Matt delivering music and not only some “musical product” or some “background noise for a few moments of our life”. Matt plays straight from his heart to our soul. Matt’s play seems effortless and joyful, playful and still profound, very expressive. Much more, you can download even for free – “name your price” – “Relic” from Matt’s Bandcamp page, Read more Matt Stevens – Relic (2011)
Stellardrive – ERS-4 Speak, Memory (2010)
Built upon post-rock/post-hardcore structures, Stellardrive juggling between heavy and noisy elements and quieter, smoother, but pretty gloomy moments. If life is a labyrinth and we should have a musical background for it, well, this might be one of the proper options.
Stellardrive is an instrumental quintet from from Besançon, France created in 2005. The band initiated the ERS series in 2005, with two EPs “ERS-1” in 2005 and “ERS-2” in 2007 (digital releases), grouped on their first physical release “Omega Point” (Le Sonotone Rec., Impure Muzik, Inter-Over, Believe) in 2007. The third EP “ERS-3: ECOTONE”, both physical and digital released, was out in 2008. “ERS-4 Speak, Memory” was released in September 2010 and continue the exploration of the boundaries of the music delivering another beautiful piece of their music puzzle. Read more Stellardrive – ERS-4 Speak, Memory (2010)
48V – South II (2011)
In 1966, Neumann GmbH of Berlin, Germany, presented a new type of transistorized microphone to the Norwegian Broadcasting Corporation, NRK. Norwegian Radio had requested phantom-powered operation. Since NRK already had 48 volt available in their studios for their emergency lighting systems, this voltage was therefore used for powering the new microphones, KM 84 model, and is the origin of 48-V phantom power.
“South II” is the second full-length album by 48V from Hunan, Chengdu, China and it’s instrumental. A quite interesting blending of post-rock and electronic elements into a flowing, growing, sparkling music with a nice, electric groove and some catchy themes.
And considering they name, I might be wrong thinking of 48 volt while their MySpace URL is 48… vodka. 😀 Read more 48V – South II (2011)
Amnesis – The Pier (2011)
Terry Gilliam’s film, “12 Monkeys” (1995) was inspired by, and takes several concepts directly from the pretty obscure French film “La jetée” made in 1962 by Chris Marker and known in English as “The Jetty” or “The Pier.” The film, by the way: black and white, runs for 28 minutes and the plot is quite simple, the main character – appears as “The Man” – is a prisoner in the aftermath of the Third World War, in a destroyed, post-apocalyptic Paris where survivors live underground in the Palais de Chaillot galleries. Scientists research time travel, hoping to send test subjects to different time periods “to call past and future to the rescue of the present”. They have difficulty finding subjects who can mentally withstand the shock of time travel, but eventually settle upon the prisoner, whose key to the past is a vague but obsessive childhood memory of a woman (who features obviously as “The Woman”) during an incident where a man was killed on the boarding platform (the jetty) at Orly Airport. Read more Amnesis – The Pier (2011)
Maybeshewill – I Was Here For A Moment Then I Was Gone (2011)
I’m not quite a big fan of instrumental rock music, perhaps because I get into rock music and I spent over a decade spiting into the microphone, but this “I Was Here For A Moment, Then I Was Gone”, the third album by Maybeshewill, band from Leicester, U.K. formed in 2005, it’s quite impressive. They play a sort of post-rock, pretty gloomy themes, but in a quite charming way, and they using programmed and sampled electronic elements alongside acoustic and electronic instruments. Maybeshewill has seen a number of musicians come and go, but core members Robin Southby on guitar, John Helps on guitar and James Collins on drums have been with the band since their first tour and album. On bass currently is Jamie Ward.
They might be compared by some with Mogwai, but Maybeshewill’s music is more intense, powerful, in a particular way more rock oriented, but also much more colorful, I would say deeper. Comparisons have also been made with Sigur Rós, but once again, Maybeshewill sounds much heavier I think, they have stronger rock roots and their music is not that spacy, soundscape and soundtrack/cinematic like. Read more Maybeshewill – I Was Here For A Moment Then I Was Gone (2011)
Schedule Of No Plan – Oh, These Indistinct Years of You (2011)
This is the second EP made by Nick Steinborn from Lansdale, Pennsylvania, and you can get both of them from his Bandcamp page. Just as he says, he “decided to write an album for the ..RPM Challenge”. Well, this is an interesting trip into the instrumental/experimental, math rock/post rock area of the music and Nick actually done a pretty good job, he wrote and recorded a couple of interesting themes and maybe the time is right to step forward and transform this solo project into a real band. As I said, these songs are a solid starting point to take off, the four new tracks sounds clean, congealed, gloomy ambiental layers and textures are overlapping some good guitar riffs, dark and heavy passages or subtle, smooth melodies. Dark, but sparking, this is a nice, refreshing trip. Read more Schedule Of No Plan – Oh, These Indistinct Years of You (2011)
Valerian Swing – A Sailor Lost Around The Earth (2011)
This is a soulful, explosive, flowing, ever-changing, complex and elaborate instrumental album. I actually hesitate to say instrumental rock album because Valerian Swing are far beyond any particular label and box, this is metal, rock, even jazz sometimes, eventually contemporary heavy music. Many times technicality kill the soul of the music, but this is not the case of Valerian Swing, extremely complex themes, impressive breaks, twists and turns make their music dynamic, but without loosing anything from its sensivity and expression. Incredible depths, incisive riffs, colorful lyricism, different moods and tones are revealed by this extremely young, but very talented trio from Correggio, Reggio Emilia, Italy.
Formed in 2002 by Stefano Villani, David Ferretti and Alan Ferioli, only one year later including of Johnatan and Davide on vocals they recorded their first five track EP which gained excellent reviews and it was followed by explosive live shows around northern Italy, sharing the stage with established Italian underground bands. Read more Valerian Swing – A Sailor Lost Around The Earth (2011)
Brotherhood Of Sleep – Dark As Light (2011)
It’s not quite my favorite genre, but “Dark As Light” still stir up the interest, it’s a gloomy and dynamic travel into the psychedelic soaked heavy side of instrumental doom. It’s quite funny, a warm, glowing orange cover for this kind of pretty dark and – no better match right now in my mind – oppressive music.
The band was formed in Athens, Greece, in Autumn of 2006 by George G. – guitar (ex-Choir Macabre) and John K. – guitar (Afformance). Later they were joined by drummer Serafim G. (also of Uranium Cardinals) and without pre-set ideas on how or what to play they’ve started rehearsing giving birth to the first main riffs that would later on constitute the nucleus of what was next to come. They released their self-titled debut album in 2009 and “Dark As Light” is their second full-length album consist in four elaborated and extensive tracks – the shortest one have 11.32 minutes. Read more Brotherhood Of Sleep – Dark As Light (2011)
Powder! Go Away – Laika Still Wants Go Home (2011)
Laika was a space dog. Actually the first animal to orbit the Earth, as well as the first animal to die in orbit.
After the success of Sputnik 1, Nikita Khrushchev, the Soviet leader, wanted a spacecraft launched on November 7, 1957, the 40th anniversary of the Bolshevik Revolution. To meet the November deadline, a new craft would have to be built. Khrushchev specifically wanted his engineers to deliver a “space spectacular,” a mission that would repeat the triumph of Sputnik I, stunning the world with Soviet prowess. The planners settled on an orbital flight with a dog. Three dogs were trained for the Sputnik 2 flight: Albina, Mushka, and Laika.
Laika was found as a stray wandering the streets of Moscow. Soviet scientists chose to use Moscow strays since they assumed that such animals had already learned to endure conditions of extreme cold and hunger. Soviet space-life scientist Oleg Gazenko selected and trained Laika.
Before the launch, one of the scientists took Laika home to play with his children. In a book chronicling the story of Soviet space medicine, Dr. Vladimir Yazdovsky wrote, “I wanted to do something nice for her: She had so little time left to live.” Read more Powder! Go Away – Laika Still Wants Go Home (2011)
