Monthly Archives: January 2013
3 Melbourne based bands, Asperity Within, Belle Haven and Glorified! released this free promo album, each band featuring with two original tracks. Not at least, can grab the 6 tracks for free (“name your price”) from each band’s Bandcamp page. Cool and a smart, efficient, joint way to promote their bands.
The sonic slaughter starts with Asperity Within, “Mutatio” begin smooth and quietly, but shifting into a contorted, technical and gloomy, death metal fueled butchery build upon solid riffs, schizophrenic harmonies and blood vomiting vocals. “Atrophy” starts pretty the same, gentle and misleading, but with the menacing riffs turn into another depressive and maniac metalcore massacre. The breakdown it’s very tasty, the swinging between the spacier and smoother passages and the total grinder moments it’s very efficient. The solos are also adding a nice colour to the tracks. Promising start!
“Spite Conception”, the first track by Belle Haven (more…)
Incoming search terms:glorified band
This is a journey back in time. The perfect (metal) time capsule which bring the listener back to the golden age of thrash metal, somewhere between 1986 and 1992. Maybe because this is partly the music of my restless, headbanging youth, maybe because the nowadays fancy metalcore mainly sucks, Hatriot was a quite pleasant surprise. Those wicked riffs sounds familiar, the tempo it’s fast (as a shark!!) and the Hatriot machinery seems unstoppable and exhaustless. And well, who would expect anything less from a legendary singer as Steve “Zetro” Souza? And to have a real bridge over time, there are two other Souza’s involved in the band, Steve’s son, the bass player Cody Souza, and drummer Nicholas Souza. What a murderous family business!! Impact is Imminent!!! (more…)
Extreme and brutal, dark and raw sounding, this Stockholm based post-hardcore band will rip your head off with tones of ferocious riffs and their chaotic, contorted, furious music. Both rooted to punk and metal, this pounding, post-hardcore genre became quite popular lately and many exciting new bands proved true creativity widening the borders of the extreme, avant-garde music. They call their music “hopeless and heartbreaking doomsday hardcore punk”, which actually covers quite consistently the noisy butchery and beautiful poetry they create.
No Omega manage to define their own sound and find their own path of express their fury and desperation, although, they are recommended for fans of Touché Amoré, Dead Swans, Killing the Dream, Meleeh, Oceana and Rise and Fall.
They are also promote and support vegans and vegetarians, as well as they incorporates political ideas and civilization criticism into their lyrics. They spreading these ideas in a very open and relaxed way, but you can still enjoy their music without agreeing with their views and opinions. Best thing come last, “Metropolis” can be downloaded even for free (“name your price”) from their Bandcamp page, or can order from there the hard copy, CD for 6 Euro, respectively the 12″ vynil for 10 Euro. As I always say, artist need and deserves our support and encouragement! No Omega it’s definitively a name to keep in mind! (more…)
The sixth studio album by Welsh post-hardcore band Funeral for a Friend was released through Distiller Records on 28 January 2013 for Europe, and will be released on 5 February 2013 through The End Records In the United States.
Funeral For a Friend are considered one of the prominent influence on the British post-hardcore scene and their debut album, “Casually Dressed & Deep in Conversation” it’s considered by most of the critics and fans as a release which set a high standard for the band to rival in future releases.
With diverse roots back and gathered influences from heavy metal to melodic and post-hardcore, adding emo and screamo weaponry, Funeral For a Friend have shown a progression and maturity with each record, although, some fans disliked the changes while on the way they lost some brutality and became more melodic and the howling, screaming vocals were almost completeyly replaced by clean vocals. (more…)
The opening title track, “The Calm Fire” might be misleading. Wobbling basses and the smooth, but sober electronic layers only announce the storm to come. I think a smart exploration of those fancy elements and a proper use of them along the brutal riffing, the death fueled vocals and the metalcore flavoured build-ups would add a great support to the musical experiment of Mohammed Sawan, the brain and musician behind this Abu Dhabi project.
“The Oppressed” it’s an intense and exciting journey on the wings of progressive death metal with several metalcore taste like breaks and neo-classic, Yngwie Malmsteen flavoured, powerful guitar passages. If Malmsteen would ever try to play death metal, that definitively would sound like “FAIL! Try Again”. Even the clean vocals reminded me of the Swedish guitar hero. The breakdown it’s very classy, heavy metal fueled, but some of the riffs are also extremely power/speed metal fueled. Extremely technical, but still soulful and expressive mixture of styles and sounds. (more…)
Jamey Jasta and his killing machine are back with their sixth studio album. “Put It To the Torch” explodes literally and the merciless butchery begun. With solid roots back to Pantera, Sepultura and Machine Head, this is a dangerously groovy and modern metal mixed with brutal and intense hardcore. “Honor Never Dies” could easily fit in on any Cro-Mags, Biohazard, Madball or Sick of It All album. And everything after it’s a furious, unstoppable mixture of hardcore intensity and brutal, bone cutter metal riffs and the nervous, spitting vocals of Jamey Jasta.
“The Language” starts as one of the most incisive Slayer songs. And each and every song it’s memorable, groovy, no fill, no useless shit, but killer riffs and 101% intensity thought! “Indivisible” it’s a true hardcore punk anthem; “Dead Man Breathing” it’s the perfect Slayer/Pantera mixture!! (more…)
Gliding Soul deliver a quite contorted and dynamic mixture of modern metal heaving roots back to death metal, but revealing nu and groove metal resonances and metalcore infusions as well. While singer Benoit Derat mainly sings as Maynard Keenan of Tool, sometimes he shift into Serj Tankian, but he’s also capable of some deadly or furious death metal howls. The band’s music it’s same colourful and intense. Technical, progressive death metal, brutal metalcore and twisted out nu metal with experimental edge are efficiently merged here. Brutal riffs and acoustic breakdowns, complex rhythms and aggressive grindings are smartly incorporated and build together. Think of a mixture of Tool, System of A Down with a twist of Korn and death metal.
Very intense, very efficient and creative. Although they definitively have some solid influences, the final output it’s expressive and efficient. Technically flawless, Gliding Soul it’s a name to keep in mind if you love experimental, but brutal, modern metal! (more…)
“Auf Wiedersehen Boy”, the opening track of Zeromancer’s new album, sounds just like a “Mechanical Animals”/”The Golden Age of Grotesque” type of Marilyn Manson anthem. The following “Bye-Bye Borderline” sounds more like a wicked mixture of David Bowie and Muse with a twist of Linkin Park in the chorus.
Smooth electronic layers, solid rock riffs, goth and gloomy vibe, cyber pop flavored melodies and powerful vocal hooks are all vital parts of the Zeromancer’s arsenal.
From the third “Lcyd”, I can distinctly hear a powerful H.I.M. influence running through the vein of their songs merged with a subtle A-HA flavour. But Zeromancer pushed their sound in a fuhrer dark direction and added a more industrial/electronic taste to it. “Bye-Bye Borderline” it’s a strong and balanced mixture of industrial rock and goth vibe, of Northern gloom and charming melodies, of electric rock and electronic pop. (more…)
Incoming search terms:zeromancer, zeromancer bye bye borderline review
Formed in Los Angeles in 1979, Bad Religion released its sixteenth studio album, kind of unbelievable actually, they some real survivors of a long gone and by many forgotten era. The age of true, honest, undiluted punk (rock). But some things are never change and it’s a good thing. Bad Religion sounds just like three decades ago, and “True North” it’s a very energetic, fresh, sing-a-long type of, genuine Bad Religion release. These melodies, rapid beats, simple and tasty riffs never can be mistaken for anyone, but Bad Religion.
“True North” is a celebration of everything we always love and appreciated about Bad Religion. This is probably their best album, but, fortunately, not their last! (more…)
Brutal, raw, merciless hardcore punk. Nothing fancy, nothing polite, nothing for the sake of the compromise, no sell-out. Singer Frank Carter left Gallows in July 2011 and former Alexisonfire guitarist/vocalist Wade MacNeil replaced Carter in August 2011. The result of this fresh blood infusion, the third Gallows’ album it’s a very nervous, very intense, aggressive and loud record. No fills, no breaks, no This “new” Gallows are picking up from where The Exploited left out, although this is less metal flavored and heavily hardcore fueled punk with a good sense of Brit indie rock infusion. “Outsider Art” it’s an excellent sing-a-long type of punk rock anthem with a brutal hardcore breakdown. Simple and brilliant. Memorable and brutal. And this spirit it’s running throughout the veins of all the 11 tracks of the new release and grinding you into the ground. Can run, but can’t hide, Gallows will get you! (more…)